All Projects

Using observation, perspective and basic geometry to translate fine-art skills into product and spatial design.

I remembered seeing that iconic silhouette in the Chainsaw Man: Reze Arc visuals. It didn’t feel like an expensive performance sneaker. And yet you could recognise it entirely from its shadow. That is why Converse is Converse.‍

A bus stop concept designed to create a more open, calm and breathable waiting space through curved shelter forms, wider pathways and integrated greenery.

A holiday AEP workshop with Singaporean artist James, where we explored urban sketching, perspective, colour and everyday visual storytelling.

A mixed-media horse composition developed through graphite, ink, wash and layered atmosphere, combining figure drawing with imagined landscape elements.

A handmade stop-motion animation created during the December holidays for an AEP project, using clay, Play-Doh and iPads.

A clay creature sculpture made during AEP around age 10–12, based on an ambitious ink design that was difficult to translate into 3D.

A graphite study series created around age 10–12, exploring tone, form, shadow and observation through simple objects and interior setups.

A black-and-white photography series taken around age 13–14 in the coastal countryside of China, where low tide left fishing boats resting in mud, rocks and still water.

A SOTA application piece created when I was around 9–10 years old, imagining a future Singapore where nature, technology, fantasy and city life grow together.

A lino print developed through sketches, composition studies and carving, exploring how cats, architecture and sunlight can form a simple visual story.

An expressive ink horse study created with traditional pencil, graphite and ink, supported by Apple Vision Pro as a reference-positioning tool.

A close master study of Sergio Toppi’s work, recreated with respect to learn how his composition, scale, ink textures and use of negative space create such powerful visual storytelling.

A black-ink visual study series exploring western-inspired figures, riders, shadows, movement, and cinematic character design.

An early childhood drawing of an old Singapore street scene, created when I was around 7–8 years old. It captures my early interest in busy environments, culture, and visual storytelling.

An observational ink drawing that explores the layered complexity of urban architecture through perspective, structure, and linework.

The car is shown without its characters, leaving their presence to be felt through absence.

Using my photographs as references, I created a series of sketches to study the forms, proportions and characteristics of the birds. I then developed these observations into paintings, exploring colour, texture and composition. This project allowed me to transform real-life observations into more personal and expressive artworks.

For this AEP spread, I explored a variety of mediums including oil pastel, charcoal, mixed media, and photography. I wanted to understand how different materials could create different visual effects and communicate ideas in unique ways. Through still life studies, artist-inspired works, observational drawings, and photography, I experimented with both realistic and expressive approaches to art.

For this project, I started by looking at the theme of the four seasons and using nature as my main source of inspiration. I created a mood board with images of spring, autumn, and winter landscapes to explore different colours, moods, and natural forms.

What I remember most isn’t the drawing — It’s how my dad taught me to use correction tape for the white highlights. No fancy tools. That’s when I realised: art begins with the ordinary.

“This is the kind of moment we chase our whole lives — not because it’s big, but because it’s true. Two people, framed by quiet architecture, sitting still while time moves like water outside. It’s Japan, yes. But it’s also memory. And memory… is cinema.”‍

The first bird stood quietly, almost blending into its surroundings. Its dark feathers and sharp eyes gave it a calm yet confident appearance.